Utility ceramics
Focus: Function!
The term "utility ceramics" is used in the context of "Internationalen Keramiktage Oldenburg" to refer to handmade ceramics which, whatever their form, are primarily geared to function. A well-balanced and coordinated aesthetic is the icing on the cake. In addition to all kinds of tableware, the term also includes garden ceramics, ceramic furniture, tiles, tiled stoves, etc.
If you find utility ceramics interesting, you should take a look at these ceramists:
Here is an excerpt consisting of max. 150 characters, in which you briefly describe what distinguishes the ceramist. Writing blind texts is really fun.
Functional tableware decorated in a lovely way: The colourful patterned plates, bowls and mugs by Jutta Becker can be combined at will and made into a favourite piece.
Simple in form, extraordinary in surface: the ash on vases, bowls, jars and co. makes Job Heykamp's utility ceramics so special.
Clear shapes with lively surfaces and a sensual-haptic pleasure: Sybille Abel-Kremer's bowls, mugs, vases and jars are wonderful to "touch" with the hands.
Ceramic designer Olga Simonova uses the properties of Limoges porcelain - pure white and very resistant - to create a unique and unique design.
Mie Mølgaard stands for a new generation of Danish design, which blows from the Baltic Sea island Bornholm to Germany:
Hundreds of individual parts determine Beate Pfefferkorn's everyday life: formed by hand from porcelain - rolled, pressed, stamped, cast -...
The starting point for Herden's thin-walled, fully functional vases are cast porcelain plates.
Margot Thyssen produces her hand-flattering, mostly minimally asymmetrical unique tableware from up to 6 differently coloured layers of porcelain.
By hand she builds fragile-looking, pure white and translucent vessels. In the process, the manual processing gives the tall vases and wide bowls...
Can you drink out of them? The extravagant cups of the Czech-Japanese artist couple are highly functional -
Folded, assembled, cut? The architectural porcelain objects by Atsushi Kitahara create the illusion of fragile paper artworks.
Poetic narratives on fine porcelain - the ceramist Jule Grade conjures up filigree text-picture combinations on the velvety outer skin of her tableware in her workshop at Lake Glindow.
Fine porcelain meets coarse wood: many of Sonja Top's utility ceramics feature the grain of an old tree bark.
The ceramist couple Charlotte and Sigerd Böhmer work hand in hand and have found their own style.
Naturally coloured by the fire of the wood burning and earthy, Wolfgang Jacob's objects appear like natural stones in form and surface.
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