An object of contemporary unique ceramics by Marc Leuthold.
In the context of the Internationale Keramiktage Oldenburg, the term "sculpture/object" is assigned to ceramics that are not subject to any function. This includes representational and non-representational ceramic sculpture, animal sculpture and figurative sculpture.
Rustically shaped wall tiles and panels in red and black stoneware clay with rough, unshaped edges and simple vessel shapes.
The inner surfaces of the sculptural vessels Sebastian Scheid calls "vases and boxes" are flat and smooth, their surfaces, roughly drawn and structured, occasionally reminiscent of hewn stone.
"I investigate mechanisms of collectivization." Lena Biesalski's ceramic works can be described as artistic social research.
Vessels, objects or even figurative objects relating to humans and animals, which, thanks to their narrative potency, make you smile:
Everything that crawls and flies in the complex insect world can serve Ross de Wayne Campell as a model for his work, ...
With a fine sense of humour, Andreas Hinder combines different genres of animal representation in his animalistic individualists.
Only the very personal and emotional moment of the encounter sets the impulse for the animal sculptor for an animal representation free.
Mie Mølgaard stands for a new generation of Danish design, which blows from the Baltic Sea island Bornholm to Germany:
Hundreds of individual parts determine Beate Pfefferkorn's everyday life: formed by hand from porcelain - rolled, pressed, stamped, cast -...
The search for the special detail is one thing, finding the right shape and the desire to give each piece harmony and elegance is another.
"Ceramic florist" is the appropriate term for Nausika Raes. Ferns, flowers, mushrooms and many other treasures from the garden and forest gather in her studio.
By hand she builds fragile-looking, pure white and translucent vessels. In the process, the manual processing gives the tall vases and wide bowls...
Folded, assembled, cut? The architectural porcelain objects by Atsushi Kitahara create the illusion of fragile paper artworks.
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