Beautiful unique vessels by Kiho Kang at the Keramikmarkt in Oldenburg.
In the contexts of "Internationalen Keramiktage Oldenburg", the term "unique vessel" is assigned to special, artistic vessels. Their extraordinary aesthetics in form and/or surface let the absolutely existing function recede into the background.
Here is an excerpt consisting of max. 150 characters, in which you briefly describe what distinguishes the ceramist. Writing blind texts is really fun.
Rustically shaped wall tiles and panels in red and black stoneware clay with rough, unshaped edges and simple vessel shapes.
Mi Sook Hwang has to be patient: both the shape and surface design of her jars and pots speak for meticulous perfectionism.
Martin McWilliam has placed the artistic exploration and interpretation of two archaic everyday objects - bowl and jug - at the centre of his work.
Here is an excerpt consisting of max. 150 characters, in which you briefly describe what distinguishes the ceramist. Writing blind texts is really fun.
Simple in form, extraordinary in surface: the ash on vases, bowls, jars and co. makes Job Heykamp's utility ceramics so special.
Clear shapes with lively surfaces and a sensual-haptic pleasure: Sybille Abel-Kremer's bowls, mugs, vases and jars are wonderful to "touch" with the hands.
Ceramic designer Olga Simonova uses the properties of Limoges porcelain - pure white and very resistant - to create a unique and unique design.
The inner surfaces of the sculptural vessels Sebastian Scheid calls "vases and boxes" are flat and smooth, their surfaces, roughly drawn and structured, occasionally reminiscent of hewn stone.
"I investigate mechanisms of collectivization." Lena Biesalski's ceramic works can be described as artistic social research.
Vessels, objects or even figurative objects relating to humans and animals, which, thanks to their narrative potency, make you smile:
The search for the special detail is one thing, finding the right shape and the desire to give each piece harmony and elegance is another.
Simple geometric basic forms form the basis of Uta K. Becker's clear and unmistakable vessel architecture, which invites to ever new arrangements.
The starting point for Herden's thin-walled, fully functional vases are cast porcelain plates.
A master of her craft: Karin Bablok sets the thin-walled, pure white porcelain form in an equal dialogue with the black brush drawing.
Margot Thyssen produces her hand-flattering, mostly minimally asymmetrical unique tableware from up to 6 differently coloured layers of porcelain.
By hand she builds fragile-looking, pure white and translucent vessels. In the process, the manual processing gives the tall vases and wide bowls...
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