Gas kiln

Control of the gas furnace in a summer course of the Werkschule e.V.
Controllable firing technique.
In fossil fuel kilns fired with oil, gas, wood, coal or coke, the fire takes place in an open flame and reducing atmosphere. This means that the atmosphere is deprived of oxygen during a certain phase of the fire. In this way, for example, different colours of the same metal oxide can be achieved.
Gas represents a controllable fuel. The reduction phase can be easily controlled by reducing or closing the air inlet openings - in contrast to wood firing, for example.
If you find ceramics from gas kilns interesting, you should take a look at these ceramists:inside:
Straw, wood, coal, coke and salt, all put into a capsule together with turned or hand-built pottery engobed with ochre and porcelain and then fired in a gas kiln:
The inner surfaces of the sculptural vessels Sebastian Scheid calls "vases and boxes" are flat and smooth, their surfaces, roughly drawn and structured, occasionally reminiscent of hewn stone.
With a fine sense of humour, Andreas Hinder combines different genres of animal representation in his animalistic individualists.
Can you drink out of them? The extravagant cups of the Czech-Japanese artist couple are highly functional -
A clear language of form, pure white porcelain and poetic paintings: The ceramist and designer produces reduced tableware on the disc.
Folded, assembled, cut? The architectural porcelain objects by Atsushi Kitahara create the illusion of fragile paper artworks.
Tiled stoves, tiled stoves, energy ceramics, copper red vessels - the unusual assortment of Josef Wieser seems inexhaustible.
Perfect forms, sculptures with function: Roswitha Winde-Pauls produces unique vessels from Limoges porcelain with great craftsmanship.
They make ceramics possible: ROHDE equips ceramic workshops with what is necessary for the work.
Coffee tastes best when served on grandma's fine porcelain dishes: Sylvia Ludwig's hand-turned, perfectly crafted "Goldrand" and "Streublümchen" services are reminiscent of old times with their lovely decorations and curved shapes.
Once trained as a wheel potter, Maja Wlachopulos discovered her passion for filigree and playful jewellery creations:
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