Wild Companions
In her ceramic work, Kraml creates hybrid figures that straddle the line between human and animal. The rough, fracture-marked sculptures address fragility, vulnerability, and transience, and deliberately eschew a smooth or pleasing aesthetic. Through multiple firing processes and nuanced color and surface treatments, a multi-layered appearance emerges that underscores the figures’ fragility.
Be sure to check out Claudia Kraml at this year’s Ceramic Artist Portrait—along with Kati Jünger—on July 31 from 9:30 a.m. to 3:30 p.m. at the Werkschule. Registration: info@werkschule.de, course number: 8799.
Claudia Kraml
Eduard-Mörike-Straße 88
73266 Bissingen
+49 (0) 17680353303
info[at]claudiakraml.de
www.claudiakraml.de
@claudiakraml_sculpture
Claudia Kraml's areas of focus, clearly explained:
Glaze is a glass-like layer which, from a purely functional point of view, is mainly used to provide the porous shards underneath (term for a fired ceramic mass) with a waterproof, dense coating.
Engobe refers to a mixture of finely slurried clay liquefied with water, which is applied to raw or also bisqued ceramic workpieces for decoration.
Thanks to its modern technology, the electrically powered kiln is a relatively safe firing method that can be used to fire at high temperatures.
Designation for ceramics which, with or without glaze after the firing process above 1200° C, has a hard, solid and dense body (term for a fired ceramic mass).
In the context of the „Internationalen Keramiktage Oldenburg“ , the term "sculpture/object" refers to ceramics that are not subject to any function.