Maria Pohlkemper
Nani Champy Schott
Kamila Dziedzic-Caputa
Rustically shaped wall tiles and panels in red and black stoneware clay with rough, unshaped edges and simple vessel shapes.
Lisa Biris
Mi Sook Hwang
Mi Sook Hwang has to be patient: both the shape and surface design of her jars and pots speak for meticulous perfectionism.
Inge Burgerhoudt
Martin McWilliam
Martin McWilliam has placed the artistic exploration and interpretation of two archaic everyday objects - bowl and jug - at the centre of his work.
Mechthild Poschlod
Job Heykamp
Simple in form, extraordinary in surface: the ash on vases, bowls, jars and co. makes Job Heykamp's utility ceramics so special.
Margret and Wolf Ewert
Enter text
Olga Simonova
Ceramic designer Olga Simonova uses the properties of Limoges porcelain - pure white and very resistant - to create a unique and unique design.
Sebastian Scheid
The inner surfaces of the sculptural vessels Sebastian Scheid calls "vases and boxes" are flat and smooth, their surfaces, roughly drawn and structured, occasionally reminiscent of hewn stone.
Lena Biesalski
"I investigate mechanisms of collectivization." Lena Biesalski's ceramic works can be described as artistic social research.
Ute Naue-Müller
Vessels, objects or even figurative objects relating to humans and animals, which, thanks to their narrative potency, make you smile:
Ross de Wayne Campbell
Everything that crawls and flies in the complex insect world can serve Ross de Wayne Campell as a model for his work, ...
Andreas Hinder
With a fine sense of humour, Andreas Hinder combines different genres of animal representation in his animalistic individualists.
Curt R. Lehmann
Only the very personal and emotional moment of the encounter sets the impulse for the animal sculptor for an animal representation free.
Beate Pfefferkorn
Hundreds of individual parts determine Beate Pfefferkorn's everyday life: formed by hand from porcelain - rolled, pressed, stamped, cast -...
Constanze Herrmann
Martin Minderman
Here is an excerpt consisting of max. 150 characters, in which you briefly describe what distinguishes the ceramist. Writing blind texts is really fun.