Corinna Petra Friedrich

FUnique vesselsStonewareElectric kilnEngobeGlaze
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Corinna Petra Friedrich combines unusual coloring with screen printing, transfer printing and monotype with a passion for unconventional patterns and ornaments. Shaped clay slabs are cut apart and then artfully assembled into vessels. This three-dimensional collage technique is determined by the chance encounter of the different graphic elements. The result is surprisingly new compositions that unite form and surface in their unusualness.

Corinna Petra Friedrich
Erich-Zeigner-Allee 64a
04229 Leipzig
Germany

+49 (0) 157-71530122

www.corinna-petra-friedrich.de
c.p.friedrich@gmx.de

 

Corinna Petra Friedrich's work focus well explained:

Glossary collection
Shino
Shino

Shino refers to a genre of ceramics that originated in Japan in the 16th century and is still highly prized today for its tactile and visual qualities.

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Seladon
Seladon

Seladon refers to grey-green to blue-green thickly applied feldspar glazes whose special colouring comes from iron oxide.

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Salt glazes
Salt glazes

The salt glaze is an approach glaze. While other glazes are applied before firing, the salt glaze is created during firing.

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Chandelier
Chandelier

Lustre refers to the shiny metallic surface on glazes (e.g. faiences).

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Crystal glaze
Crystal glaze

Crystal glazes are glazes in which crystals grow in the glaze during the firing process. They are formed during the cooling process and solidify with the glaze.

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Glaze
Glaze

Glaze is a glass-like layer which, from a purely functional point of view, is mainly used to provide the porous shards underneath (term for a fired ceramic mass) with a waterproof, dense coating.

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Faience/Majolica
Faience/Majolica

This genre of pottery was born out of a desire to copy the brilliant white porcelain that could not be made in Europe until the 18th century because of a lack of kaolin.

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Engobe
Engobe

Engobe refers to a mixture of finely slurried clay liquefied with water, which is applied to raw or also bisqued ceramic workpieces for decoration.

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Smoke blight
Smoke blight

Smoke firing is a method of burning ceramics in open fires that has been in use since early times. People from different cultures and regions of the world used it to harden their ceramics and still do so today.

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Capsule Fire
Capsule Fire

It refers to firing in a closed container (capsule) of refractory material in which the ceramics are placed.

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Gas kiln
Gas kiln

In fossil fuel furnaces fired with oil, gas, wood, coal or coke, the fire occurs in an open flame and reducing atmosphere.

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Raku
Raku

Raku is an old firing technique from Asia, in which the low fired (approx. 1000 °), bisqued and glazed ceramics are taken out of the kiln red-hot and cooled shock-like in natural materials like leaves or sawdust and then quenched in water.

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Wood Stove Fire
Wood Stove Fire

In fossil fuel furnaces fired with oil, gas, wood, coal or coke, the fire occurs in an open flame and reducing atmosphere.

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Electric kiln
Electric kiln

Thanks to its modern technology, the electrically powered kiln is a relatively safe firing method that can be used to fire at high temperatures.

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Terracotta
Terracotta

Terracotta comes from Latin and means "fired earth". Terracotta refers to a specific category of ceramic products made from gray,

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Porcelain
Porcelain

Designation for a ceramic material made of feldspar, kaolin and quartz, with dense, light-coloured to white shards (term for a fired ceramic mass)

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Stoneware
Stoneware

Designation for ceramics which, with or without glaze after the firing process above 1200° C, has a hard, solid and dense body (term for a fired ceramic mass).

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Earthenware
Earthenware

Term for low-fired ceramics (below 1100° C) with coloured body (term for a fired ceramic mass), which is porous and water-permeable after the firing process.

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Unique vessels
Unique vessels

In the context of the „Internationalen Keramiktage Oldenburg“ , the term "unique vessel" is associated with special, artistic vessels.

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Plastic/object
Plastic/object

In the context of the „Internationalen Keramiktage Oldenburg“ , the term "sculpture/object" refers to ceramics that are not subject to any function.

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Utility ceramics
Utility ceramics

The term "utility ceramics" is used in the context of the "International Ceramics Days Oldenburg" to refer to handmade ceramics which, no matter what form they take, are primarily geared to function.

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